Growing up in Malaysia, wanting to learn an instrument is a bigger challenge than it ought to be. Firstly, you’re limited by the choice of instruments: you’ll be lucky if you’re actually allowed to choose anything outside of the piano or violin, and luckier still if you find anyone willing to teach you, say, trombone. And secondly, minor failure is permanent failure, especially if you have a less-than-encouraging teacher.
I started piano lessons at about the age of six. I struggled with sight-reading because I wasn’t quick enough, but I had nearly pitch-perfect hearing, so I could reproduce the pieces I needed to learn, as long as I heard them first. This, according to my teacher, was more than a little bit cheaty, so I never got very good because I couldn’t teach myself to sight-read without some – any – input from what I heard first. Reverse-engineering was apparently not how it should be done, and therefore wrong.
It got worse when to try and make things easier, my mum decided that I would no longer sit exams and learn to play for fun and improvement. My teacher really did not like me after that, because as far as she was concerned, what would be the point? By the age of ten I was canny enough to cancel my lessons myself, and then I stopped altogether.
It made me sad, because while I knew I was no great talent, I knew I could be taught. I never found the confidence to try again.
I still try to sing; I say ‘try’ because while I can sing, I largely imitate whoever it is I’m listening to at the time, so I don’t really have a voice that’s my own. It’s also why I’ve never been able to fit into a choir. I’m fun in the car, but useless in a collection of voices.
But I can recognize voices. I can remember licks and variations. I can tell when it’s one orchestra playing a piece or a different one. I can pull lyrics from recesses of my brain I don’t even remember building.
And I have wonderful, encouraging friends.
My lovely cannot-be-without-her best mate Chantelle is an incredibly talented musician. She played euphonium in orchestra, she plays the guitar, she has a wonderful voice that is very clearly her own, and she now sings with a brilliant folk artist, Talis Kimberley, and has taken up the ukulele.
After many conversations and random sing-songs over the years, and based on how my taste in music has evolved, she’s inspired me to try again, and this is what I did, over twenty years after I kicked my piano teacher to the curb.
Meet Iona
This is an Ovation Celebrity, a gorgeous roundback guitar with a nice slim neck that allows even my tiny hands to play all the strings. The guitar was recommended to me by Talis, who has a similar build to me and has similarly small hands, and this guitar fits me perfectly. This was the one year where I looked forward to my tour-of-duty to Malaysia, because I knew I would receive enough birthday money to make this purchase. I really had to talk myself into it, and I’m so glad that I did.
I got her from Absolute Guitars in Bristol, who were incredibly helpful and informative, and most importantly did not once make me feel like a complete idiot. They were happy to answer even the most novice questions and took the time to show me how to do basic things, like use the on-board tuner and tune the guitar myself. They even said that once I get comfortable with my guitar and improve some, I could contact them again and get them to recommend a decent amp and they would sort me out.
I’ve spent a few days since learning a few chords, trying to find a way that makes playing her easy and comfortable. I love her to bits. When she’s tucked up against me and I’m picking and strumming, it’s like I’ve filled a gap I never knew I had.
I’m hoping that as I learn songs to play and sing to them, away from the original music track, I’ll be able to find a voice and a sound that is entirely my own, and I won’t be imitating anyone anymore. It would be pretty cool to find out what I really sound like.















